Here's a review I posted a while back of an album I am highly fond of.
Karcius from Quebec, Canada have so far released 3 instrumental albums, all of them quite eclectic with regards to the styles played in the various pieces the comprise them. With
Episodes, I hear a band that has developed, and for lack of a better word, matured; they are more delicate and precise in their way of delivering their instrumental pieces, more refined than before. They are still as varied as before, conjuring up different styles and playing in a dynamic fashion.
In their first release in 2004,
Sphere, which I very much love, they had a rawer approach and it was an eclectic affair that toyed with catchy tunes, heavy parts mingled with jazzy elements and cheerful melodies.
Going forward to 2008 and their release
Episodes, this is still a diverse offering, but one that has a refined and distilled sound of the band, with an underlying link between all the pieces; the progressive rock and fusion of the three-part main piece,
Elements and the Spanish flavoured composition Incident to the mellow blues/reggae/jam tune
Racines. The refined sound owes to the song arrangements and to the musicianship. There is fabulous playing by all musicians here; listen to the bass licks and drumming on Elements II: Sol; to the guitar and piano on almost each piece. It's a feast to the ears.
Elements alone is a reason to get this album. Fading in it starts delicately with a relaxed yet steady, particular drumming rhythm (heard more in the back of the mix) and a soothing bass line, soon joined by the piano and then guitar, welcoming us into this beautiful palace of sounds that awaits us. A wonderful Pink-Floydian guitar solo proceeds as the full band engages their playing. From here on is a 30 minutes of delightful rich sounding music that is divided into 3 parts (but is continuous). There are climaxes and emotional peaks, heavy parts at times even aggressive (around minute 5:30 in Submersion, the first part and at the beginning of part 3:
Combustion), quieter parts, jazzy interludes, fusion and rock segments, darker moments, lighter and happier parts and so on. The music in each part revolves around the main theme, playing with it, changing it, maneuvering it and developing it to make it interesting and appealing (and succeed in doing so).
The 3 parts themselves dissolve seamlessly into each other and make up a fascinating listen as a whole piece.
In
Incident, a fabulous Spanish flavoured theme is presented with violin embellishments here and there. The chorus, if I can call it that, is a splendid powerful part of piano and acoustic guitar together in a swirling movement, going back and forth, creating a magical moment.
Levant is a short piece serving as transition to the piece
Purple King as well as repose from the intensity of the music thus far. A mellow piano solo piece composed by the player (Mingan Sauriol), it's a beautiful composition that showcases what I suspect is a classical training. I'd love to hear more from him.
Purple King start with a cool bass line, giving a mysterious vibe of something that is stirring up and about to reveal itself in its full magnificence. The ambience created here is outstanding, as the guitar licks add to the suspense and later electrifies the air. This is enhanced by the wonderful organ playing that creates a spell-binding atmosphere. This is a great rock piece by the band as the music twirls and weaves itself around the main theme, adding additional elements and layers to it until a peak at about 4:30, where it bursts further more as the lead electric guitar takes full charge of the situation and leads the band, with powerful drumming backing it up and the ever present Hammond organ delivering haunting playing.
A highly intense track, no wonder it is followed by the tender and
Racines with its bluesy/reggae and jam-like approach to close the album. It does speed up about 3 minutes in a fusion-on-acid like style only to go back to the original theme about a minute and a half later.
Karcius present in this album several
Episodes, each with a unique theme and style. Much like their previous album, this is an eclectic affair, but it works very well for me and it's a great pleasure to listen to their music. I look forward to their next one.
Here is a video of the band
Live at Crescendo 2007
Here's an
mp3 available at Prog Archives
Progressive Ears (Assaf Vestin): Can you tell us about your musical journey - what were your favourite childhood bands/musicians? How did you come to listen to Prog-Rock?
Adam Podzimski (Drums): Osada Vida was set up in 1997. Lukasz and I created the band in 1997 as a trio. The members of our band had changed several times and the same was with our music. In the year 2000 we recorded our first demo album Moment Krytyczny (The Critical Moment). Since then we have recorded two more albums: W Drodze Na Ksiezyc in 2002 and Osada Vida in 2004.
Adele Schmidt and Jose Zegarra Holder have released a 95 minutes documentary that features several prog rock bands and label/studio owners. This is not so much a story of current progressive rock, as it a small survey of several bands and the USA North East coast fests. The Film features these bands and musicians and their take on Prog Rock, how they deal with the struggle to create and release music and their attempts to reach the fans of the genre. 
